Ladyfest
• June 21, 2009 • 1 CommentPosted in Uncategorized
Tags: Ablaze!, Afrirampo, Amelia Fletcher, Anat Ben-David, Anna Moulson, applied philosophy, Beth Ditto, Bikini Kill, Bis, Blood Red Shoes, Bratmobile, Brighton Crawl, Cadallaca, Cafe Kino, Charlotte Cooper, Chicks On Speed, Club Motherfucker, comic art, cooking, Cowley Club, cross-stitch, cutie, Disco Pistol, DIY, djing, Drunk Granny, Erica Smith, Fawn Gehweiler, feminism, fiction, filmmaking, Flesh Machine, gay liberation, gender variance, Gene Defcon, Gilded Lil, Girlfrenzy, grafitti, grime, hardcore, Heavenly, Heavens To Betsy, historiography, Holly Golightly, Homocrime, Huggy Bear, Husbands, identity politics, Jean Genet, Jigsaw zine, journaling, Katastrophe Wife, Kenickie, Kieron Gillen, L7, Ladyfest, lesbian feminism, Linus, Local Kid, Lolita Storm, Lucy Thane, Matthew Fletcher, Mellow. Bette Davis And The Balconettes, Melting Vinyl, micropolitics, Mirah, Miss Pain, Nomocrime, Peepholes, Petra Davis, Phonogram, Plan B magazine, punk, Punktrap, Pussycat Trash, queer theory, queercore, Queeruption, Raincoats, resist psychic death, revolution grrrl style now, Rhythm King And Her Friends, Riff Randells, riot grrl, riot grrrl, self-defence, separatism, sex-positivism, sexist slam-dancing, Slampt, Sleater-Kinney, Sleeping States, Talulah Gosh, teen-c, The Corey O's, The Frumpies, The Gossip, third wave, trans inclusion, transgender, twee, Unskinny Bop, Voodoo Queens, white boy mentality, Winston Echo, women's liberation, Woodstock rapes, wrong-pop, You Might As Well Live
Tintinabulum 